![]() ![]() Other directing credits include Tristan and Iseult with the Boston Camerata at the Spoleto USA festival Shirley Valentine by Willy Russell at Houston’s Alley Theatre and Boston’s Charles Playhouse Happy Days by Samuel Beckett, The Caretaker by Harold Pinter, and two stage premieres at Gloucester Stage Company Talking Heads by Alan Bennett and Fighting Over Beverley by Israel Horowitz. ![]() He served as artistic director of the Castle Hill Festival at Castle Hill in Ipswich, Massachusetts, directing and co-producing opera and theater works, including the premiere of Julie Taymor’s Liberty’s Taken and Peter Sellars’ production of Cosi fan Tutte. Paddy taught acting and improvisation at the London Academy of Dramatic Art (L.A.M.D.A.), the London Drama Centre, and New York University. He was a founding stage director of Circus Flora. His numerous directing projects include opera, ensemble, music theater and circus. In 1969, he toured Europe with La MaMa Plexus and subsequently got his world theater education from Ellen Stewart at La MaMa E.T.C. Paddy Swanson began his career in London as an actor at the Arts Theatre in the West End. Your virtual Event Pass includes unlimited access during the viewing period to a digitally enhanced version of this year’s Christmas Revels, recorded during a live performance in Sanders Theatre.Īccess the Christmas Revels Program Book! × If you are unable to attend The Christmas Revels live this year (or just want to see it again!), join us for a virtual extended run, streaming from December 26 to January 9. We are excited to offer a fully virtual Christmas Revels experience once again to audiences around the world! There is a glimmer of light at the end of the tunnel – and as you know, “the return of the light” is what The Christmas Revels is all about! Virtual Performance We can’t wait to see you all in-person and ‘revel’ with you again. We think that there is something here for everyone to enjoy as we celebrate the season as only Revels can! Will the current managers of the George & Dragon be able to regain their license for revelry? What will Elizabethans think of the modern song list? What happens when music and dance from the Renaissance collides with the horn section of a pub band and the street-wise locals from the 21 st century? In our telling of the story, old and new ways meet, and the world gets a little bigger. ![]() Along with his Elizabethan entourage he will be making an official visit to the 21 st century to put things back in order. The pub’s regulars are looking forward to reestablishing the traditional sing-along but the hiccup in tradition has disturbed the space/time continuum and triggered an audit by a fussy Revels bureaucrat from the 17 th century. The Christmas Revels: In Celebration of the Winter Solstice ![]()
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